Anna
Jackson
As an artist, I am concerned with the abstract possibilities of photography. The unassuming eye of the camera records and documents what the eye cannot sometimes see. The material nature of film records light, encasing a moment of time, a duration.
Only at night, I revisit the prominent, unphotographed places of my childhood where I use the camera to record an extended length of time. The camera reveals the location and recognises things I did not realise I had forgotten.
These places only exist in my long exposures and in my distorted, embellished memories from childhood.
